PUT YOUR SOUL ON YOUR HAND AND WALK: A note of solidarity from Ken Loach and Paul Laverty

A note of solidarity from Ken Loach and Paul Laverty to those who made the film "PUT YOUR SOUL ON YOUR HAND AND WALK" to be premiered in Cannes in 2025, and to the many who will see it in the future.

Dear Friends, 

The film "Put Your Soul on Your Hand and Walk" directed by Sepideh Farsi, part of the ACID parallel section at the 2025 Cannes Film Festival, will be screened on May 15th.  Congratulations to all those who made this happen. The film celebrates the life of photojournalist Fatima Hassouna, 25, who was murdered in Gaza, alongside her two sisters, three brothers and her father,  on the 16th April, one day after the film was selected for Cannes. 

She joins what Reporters Without Borders calls “the massacre” of journalists, now approaching 200, over the last 18 months.   

At least 3 UN bodies, plus Amnesty International, Human Rights Watch, Médecins Sans Frontières, and many others have described Israel’s actions in Gaza as Genocide. Perhaps the most conclusive evidence assembled has been the 800 page report and interactive digital platform by experts at Forensic Architecture. Here is the link to their rigorous work called “The Cartography of Genocide. 

This is one of the most devastating studies of our time. https://gaza.forensic-architecture.org/database

Their conclusion is as follows. “The patterns we have observed concerning Israel’s military conduct in Gaza indicate a systematic and organised campaign to destroy life, conditions necessary for life, and life-sustaining infrastructure.”

No-one can now claim we do not know. 

Consequences follow. 

The Genocide Convention came into force in 1951. Article I states that all signatory states must actively PREVENT and PUNISH genocide. This is an international obligation and not an internal matter alone. It states that individuals can be punished whether as private individuals or as public officials.  

“Complicity in Genocide” is explicitly addressed in Article III (e) which includes “direct assistance” (weapons or arms), “indirect assistance” (political or diplomatic support) and crucially, “failure to act”, i.e. knowing failure to take action to prevent genocide, when, in certain cases, one has the means and responsibility to do so.  

The Genocide Convention is ignored by State signatories around the world. It is ignored by institutions within these states. At a minimum, why are State prosecuting services not pursuing the arms dealers and their investors?

Now that the International Court of Justice has shamefully delayed the case of South Africa V Israel until January 2026, we can see in full horror the collapse of humanitarian law before our eyes. How many more 2000 pound bombs will Israel drop on tents before the hearing in 2026?  How many more might die of starvation?

For a few short days the world’s attention rests on Cannes as film-makers from many countries try their best to make sense of what is happening around them. Cannes has a tradition of engagement in the affairs of the day, and some still have vivid memories of the events of 1968.    

Young Fatima clearly foresaw her own murder, and said “I want a loud death”.  

On 15th May, the day of the screening, can we honour this courageous young woman, and her fellow Palestinian journalists, (no foreign journalist has been allowed into Gaza) who gave their lives to bear witness to mass murder.  

Can we all make her death as loud as possible, and insist that States carry out their duties under the Genocide Convention? 

Can we demand that the international community puts an end to the war crimes of Israel, enabled by the United States, and the other corrupt and cowardly Governments, including our own in the UK who follow in their wake?

If we do not stop Genocide now, the Israeli/Trump version of the Riviera in Gaza will be built on the rubble and the dead. The ethnic cleansing will continue through the West Bank and the Palestinian people will have been finally driven from their historic homeland.   

If the war criminals escape justice what horrors will come next? 

Fatima Hassouna , and her family, murdered on the 16th April, ’25, Rest in Peace.    

PAUL LAVERTY, KEN LOACH 

May 2025.

Land and Freedom - 30th Anniversary Screening + Screentalk with Ken Loach, Rebecca O'Brien and Ian Hart

 
 

Thirty years on, Ken Loach's stirring, epic and award winning drama about international volunteers fighting for the Republic in the Spanish Civil War, followed by a ScreenTalk.

A constantly relevant and moving work about solidarity and commitment in the face of Fascist authoritarianism. Based on the true stories of international brigade volunteers, who stood with the Spanish Republic during the Civil War, it follows the experiences of David Carr (Ian Hart) a Communist worker from Liverpool who joins the militia. With a vivid portrayal of the training, battles, camaraderie and the essential political debates, the film immerses us in the unfolding conflict. Importantly, it does not shy away from the internal tensions and betrayals by the Republican side.  

Ken Loach, Rebecca O'Brien (Loach's long time producer and collaborator) and lead actor Ian Hart will be in conversation with Gareth Evans after the screening, alongside other key crew members present.

Barbican Cinema - Thursday 15th May 6:30pm - Tickets available online

Pamela Anderson, Dakota Fanning and Lindsay Duncan to Lead Sally Potter’s Next Feature ‘Alma,’ Bankside Launching Sales in Cannes (EXCLUSIVE)

Arinzé Kene, Esther McGregor, Esmé Creed-Miles and Earl Cave will also star in the comedy drama.

Pamela Anderson, having underlined her indie film credentials last year thanks to her Golden Globe and SAG nominated turn in “The Last Showgirl,” has landed herself another lead role.

The star is set to join renowned British writer/director Sally Potter‘s latest feature “Alma,” leading the cast alongside Golden Globe nominee Dakota Fanning(“Ripley,” “Once Upon A Time in Hollywood”) and BIFA Award winner and BAFTA nominee Lindsay Duncan(“Birdman,” “Le Week-End”). Joining the ensemble will be Arinzé Kene (“I’m Your Woman,” “Harvest”), Esther McGregor (“Babygirl,” “We Were Liars”) Esmé Creed-Miles (“Hanna,” “Silver Haze”) and Earl Cave (“The Unlikely Pilgrimage of Harold Fry,” “The Sweet East”), with further casting to follow.

“Alma” is produced by Potter’s longstanding collaborator Christopher Sheppard of Adventure Pictures (“The Roads Not Taken,” “The Party,” “Orlando”) and Rebecca O’Brien of Sixteen Films (“The Wind that Shakes the Barley,” “I, Daniel Blake,” “The Old Oak”). Co-producers on the project are Les Films d’Antoine, under the direction of Antoine Simkine, in France and Komplizen, led by producers Jonas Dornbach, Janine Jackowski and Maren Ade in Germany. Stephen Kelliher serves as executive producer for Bankside Films.

How Ken Loach’s Sixteen Films Is Charting a New Course Without Its Iconic ‘I, Daniel Blake’ Director

 
 

Sixteen Films, co-founded by Ken Loach and producer Rebecca O’Brien in 2002, has been behind every film by the beloved and iconoclastic director over the last two decades, including “The Wind That Shakes the Barley,” “Looking for Eric,” “I, Daniel Blake” and last year’s “The Old Oak,” amassing awards and accolades — including a record-equaling two Palme d’Ors — along the way. Barring a small number of exceptions, Sixteen has solely been a vehicle for Loach’s features (most written by Paul Laverty). But with the 87-year-old filmmaker having declared that “The Old Oak” was his last, the company is now entering its next phase, of which “Harvest” will be the first out of the blocks. 

According to O’Brien, there are two strands for the post-Loach Sixteen. On one side, she’s aiming to work on English-language films with “auteur European directors,” such as Tsangari, who received numerous awards for her 2015 feature “Chevalier.” As well as “Harvest” (which was written by Joslyn Barnes and Tsangari), O’Brien is co-producing Sally Potter’s next film, “Alma” (alongside Christopher Sheppard and Potter’s Adventure Pictures), a project she describes as “a family ensemble piece,” likening it to a “sequel to ‘The Party.’” Casting and location scouting is currently underway, with the film heading to the co-production market in Berlin to look for partners. 

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